In the state of Minnesota lies a small town called Owatonna with
roughly twenty-two thousand inhabitants. Within that city is a quiet
road with a modest house. In that house there's an unkempt basement
with no windows. Within those confines you'll find Adam Young of Owl City
hard at work on his electronic and melodically infectious music of
simple and singular beauty. Inside this "cave," as Adam likes to
describe it, he has begun to quickly win over a large audience thirsty
for something genuine, something sublime. The same adjectives could
easily describe Owl City's first official CD - Ocean Eyes - poised for a
mid-summer release.
Being an only child in a small town, and
having no musicians in his immediate family, Adam is hard pressed to say
how it all started. Explaining that he always had a "push" to be
creative, Adam picked up his first guitar in junior high school.
Growing up in a "sheltered bubble" and being one of the more shy kids
around the neighborhood, Adam seemed compelled to lend his time and
creative ideas to music. "I've always been the shy guy, I don't see
that changing, but I definitely feel a lot more comfortable than I
anticipated. I can hide behind the music."
While his music
continues to win followers all over the world, Adam does indeed hide
behind his music, not going by his real name (See: Badly Drawn Boy and
Dashboard Confessional); but going by the moniker Owl City. Adam was
searching more for a mood when coming up with a title for his sound,
rather than something easily identifiable. He goes on to explain that
most of the artists that catch his eye have something unique about their
name, something that lingers.
So one has to ask: how did this Owl
City phenomenon begin? How does a young artist writing songs
underneath his garage, acoustic foam and books everywhere, reach an
audience of millions? "I'm still trying to figure it out," Adam laughs.
"Back in June of 2007 it kind of started on a whim. My parents were
away for the weekend, and wanting to be loud and make some noise and
whatever, I began writing versions of what became my first, self
released digital EP - Of June. I put it up on MySpace the following
month and didn't tell anyone."
Word of mouth began to spread for
Adam's music, with demands coming from various parts of the country for
an album. Maybe I'm Dreaming, released digitally in March of 2008, was
Owl City's full-length debut. The album has garnered great critical
praise and is a clear representation of Owl City's progression as an
artist. Adam has become a phenomenon on MySpace with more than 7
million profile views and 40 million plays, which is outstanding in such
a short span of time. It's clear that Owl City is making a colossal
impact on the music scene.
What might be swirling through his head
after such a quick and sudden start at stardom? "The biggest thing I
was concerned-slash-worried about was the live performance - never
having played a show as ‘Owl City.' There was a lot of apprehension."
Adam's concern, about being a one-man wizard on the keyboard, "hunched
over a computer," was put to the test recently with his first gig. Most,
if not all, of his fears were quickly put to rest as Adam played to a
sold out show in Minneapolis. "It was surreal," Adam says "to have
people buying your t-shirts, singing the words - louder than I was; it
felt so good." And Adam will be hearing a lot more people singing his
words as he tours with his band throughout North America with gigs lined
up through this fall and beyond.
As listeners on MySpace climb
into the tens of millions, Owl City gets set to release his latest
creation, Ocean Eyes. Loaded with amazing loops, catchy pick-ups, and
lyrics that soothe the mind and touch the heart, Adam Young has once
again created a lush listening experience. Owl City's trademark desire
to escape in dreams, oceans and sky abound on this, his first official
CD, in songs such as "Cave In" and "Umbrella Beach." Adam also
continues to display a terrific wit uncommon in most electronic based
music in such songs as the clap infused, bouncy "Dental Care" (a
humorous metaphor on smiling) and "Fireflies." Given the official
compact disc treatment, previously released fan favorite "Hello Seattle"
gives the great Northwest its' due with an ode to highlands, parking
lots, Puget Sound and albatross. With glorious vocal harmonies ("The
Saltwater Room") and touching odes to love lost ("Vanilla Twilight")
Adam has dug more deeply on Ocean Eyes lyrically and musically than ever
before.
Owl City's future is as exciting, expansive and
mellifluous as its music. Adam's main focus will be getting more
comfortable on stage, and satisfying a fan base that is growing and
always eagerly anticipating new material. "I've loved every minute of
it so far, and I'm looking forward to what's going to happen next." So
are we.
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